Whittington

Love Is A Labour

Riding on the highs of his political successes, Dick has just proposed to his childhood friend, Alice, and this is her answer.

Recorded at Leeds Conservatoire and performed by students at Leeds Conservatoire in the first iteration of Whittington.

  • Whittington is a brand new musical about the real life of Dick Whittington, pantomime legend, three-time Lord Mayor of London and very real philanthropist. Set in post-plague, early capitalist medieval London, Whittington explores wider themes of national identity, class, community and power through a story of love, loyalty and hope.

    Follow Dick Whittington as he arrives in London to learn his trade under Sir Fitzwarren, enamoured with the power and possibility of a flourishing London and desperate to make his name at court. But Dick will have to learn that the higher you climb up the ladder of power, the more responsibility, the more corruption, and all the further to fall.

  • My favourite real story about Richard Whittington is that on the day of his funeral, he had instructed his executors to give a gold penny to every person they saw on the street that day.

    When I first began researching him, I was perplexed that a man who died before the invention of the printing press was a more dedicated public servant than many we see today. He was respected so much by the public and powers of the time that he became a folk hero.

    And as a boy who came to London from a rural village- an outsider in all ways to the city- I think his life has the potential to tell an incredibly important story about community and what we owe to it.

    Whittington’s legacy is still alive and well in London, from the Guildhall to Leadenhall Market, St Bartholomew’s Hospital to the Thames itself. He is as alive in the city today as he ever was.

  • I am the composer and librettist for Whittington, and in its first production, I also produced and designed the show. However, my energies are now very much focused on the telling of the story through the music and words.

    I am currently in a development stage and am hoping to put workshops together in 2026 to test and develop ideas further. Please get in touch with me if you’re interested in supporting the show’s journey!

The Wheel of Fortune

Edmund Mortimer, right hand man to King Richard II, has a moment alone at Midsummer celebrations. Having been a mentor figure to Dick at court, and with discussions of a rebellion on the horizon, his true intentions are revealed to the audience.

Recorded at Leeds Conservatoire and performed by students at Leeds Conservatoire as part of their Research and Development Week.

Paved With Gold

At the start of his story, Dick sits on the hill overlooking his house in rural Gloucestershire, and decides to take the step of going to London.

Recorded at Leeds Conservatoire and performed by students at Leeds Conservatoire in the first iteration of Whittington.

Stand Ye With The King

Mortimer has invited three troubadours to entertain the King and crowds at Midsummer celebrations. But as the King returns to the Tower, and with a nod from Mortimer, the troubadours weave through the crowd for their real mission: to incite rebellion.

Recorded at Leeds Conservatoire and performed by students at Leeds Conservatoire as part of their Research and Development Week.

The Rise of Richard

As Whittington climbs the ranks of his career, inching closer and closer to the royal circles, King Richard II also makes quite a name for himself: disrupting treaties, quarrelling with parliament, and threatening peasants.

Recorded at Leeds Conservatoire and performed by students at Leeds Conservatoire in the first iteration of Whittington.

Supported by Leeds Conservatoire, with a performance at the Festival of New Work in July 2024 and an R&D Week in October 2025.

Photo credit to: Cían O’Riain